Ksenia Zhiganshina in the Vaganova Ballet Academy’s ‘The Nutcracker’ at Mariinsky Theatre.
Drones are fool's gold: they prolong wars we can't win | Simon Jenkins
The greatest threat to world peace is not from nuclear weapons and their possible proliferation. It is from drones and their certain proliferation. Nuclear bombs are useless weapons, playthings for the powerful or those aspiring to power. Drones are now sweeping the global arms market. There are some 10,000 said to be in service, of which a thousand are armed and mostly American. Some reports say they have killed more non-combatant civilians than died in 9/11.
I have not read one independent study of the current drone wars in Afghanistan, Pakistan and the horn of Africa that suggests these weapons serve any strategic purpose. Their “success” is expressed solely in body count, the number of so-called “al-Qaida-linked commanders” killed. If body count were victory, the Germans would have won Stalingrad and the Americans Vietnam.
Neither the legality nor the ethics of drone attacks bear examination. Last year’s exhaustive report by lawyers from Stanford and New York universities concluded that they were in many cases illegal, killed civilians, and were militarily counter-productive. Among the deaths were an estimated 176 children. Such slaughter would have an infantry unit court-martialled. Air forces enjoy such prestige that civilian deaths are excused as a price worth paying for not jeopardising pilots’ lives.
This week President Obama appointed two drone “enthusiasts” as his new defence secretary, Chuck Hagel, and his new CIA chief, John Brennan. Drone war is now the flavour of the month and the military-industrial complex is licking its lips. If Obama, himself a lawyer, had any reservations about the legality of these weapons, he has clearly overcome them.
Quite apart from ethics and law, I find it impossible to see what contribution these weapons make to winning wars. The killing of officers merely sees others replace them, eager for revenge. The original Predator was intended for surveillance but was adapted for bombing specifically to kill Osama bin Laden. When he was finally found, the drone was considered too inaccurate a device to risk, and old-fashioned boots-with-guns had to be sent instead.
As for the inevitable killing of civilians, however few or many, this is not just “collateral damage” but critical to victory or defeat. It does not occupy or hold territory and it devastates hearts and minds. Aerial bombardment has long been a questionable weapon of war. It induces not defeat but retaliation.* [continue]
* Which, however much we might like to deny the possibilty, may be, and likely is, the end goal.
Kristina Shapran and company in Roland Petit’s ‘Coppelia’ at Stanislavsky Theatre.
if i know what line a character is going to say in a movie then i will say it with them and no one can stop me
(Source: lecterer)
Natalia Osipova in Giselle, by Nikolay Krusser.
AH. I love these above-stage shots. They’re just really different and I don’t know I just like them.
(Source: vivoroni)
